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Memory, Language and the Land: the Art of Marlene Creates

in Arts & Culture/Featured/Journalism by

It wasn’t until Marlene Creates decided to ‘think oppositely’ that she found her niche. She graduated art school and did as many artists do: she got a studio and started working, hoping that one day she would forge herself the perfect identity. Destiny would prevail and a lucid understanding of her abilities and passions would begin to shape her art. In 1979 she started working with stones. She would carry them into her studio from the landscape and form paper casts around them. The stones were representative of power—a structure that is hardly weathered by the acts of the elements. The paper was a fragile and sensitive juxtaposition. She says it was an unorthodox yet simple thought that was a defining moment in her work. “One day I thought, instead of hauling all of these rocks into the studio, why don’t I just take the paper outside?” Creates told The…

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A case for increased investment in the art and artists of Newfoundland and Labrador

in Letters by

“Investing in the arts is sound practice in maintaining both the financial and spiritual health of our people.”

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